Wednesday, August 29, 2012

Nigel Barker
By: Juliana Moseley


How would you describe the "look" he or she is trying to market?
Very cutting edge and vogue fashion photography. He is a brilliant portrait photographer. Very high fashion. 
 

What campaigns has the photographer worked on for which he/she may have been hired because of their brand identity?
Those are some of his main companies or people that made him who he is today. The biggest one was Americas Next Top Model, making Nigel Barker a legendary photographer.

Why do you think the photographer's personal brand identity may have been a good fit for the brand of the product being advertised?
Well before Nigel was a photographer, he himself used to be a model for most of the brands he photographs for. SO not only does he walk in his brand he also captures people walking in his brand. 

Exercise #4: Branding


Rachel LeCrone & Vivian Johnson
How does each photographer create a distinctive brand identity?
A lot of photographers naturally brand themselves with their photos, but it takes a little more than a few photos to brand you. Richard Wong gives a great example of branding: “…what makes you decide to buy one liquid hand soap product over another? Strip the Labels from the bottle and they look pretty boring but attach a nicely designed label and then you feel an emotional connection to the brand.” Rachel LeCrone and Vivian Johnson are both wedding photographers who brand themselves successfully. Their styles differ but they have the same interests. As mentioned below, Rachel uses a lot of post-production in her photos, which makes her photos appealing. Her website is simple but attractive, and the first thing that drew my attention was the style, font, and design of her name/title of the website. The drop-down menu options are advanced and I also like the index/menu at the top of the website. Vivian's website is also simple and to the point but it's almost to simple for me; however, I like the simplicity of it and how she displays her images. 

How would you compare/contrast the style of shooting for each photographer?
Both photographers have majors in photojournalism, but their styles greatly differ. Vivian aims to “capture the moment” and display it from a photojournalist’s point of view. Rachel, with an entire life experience in photography, has the same idea, but her style shows in the post-production of her images. In Rachel’s photos, I noticed a lot of soft light, vignette, aged photo style/antique, and photo collages.

Based on what they say about their work and the look of it, as well as the prices they charge, what kind of couple do you think each photographer is targeting?
Both photographers focus on the same type of couples, relatively young, confident, and in love.  They look for the average, or normal, couples who appear financially stable. 


Exercise #4: Brand Identity

Laura Sonnenberg & Rachel LeCrone 

How does each photographer create a distinctive brand identity?
Laura Sonnenberg's brand identity is shots that are candid and meaningful, she captures the real emotions that happen at a wedding.
If you were to hire Rachel LeCrone you know you'd be getting a unique style of photographs that have her style of post production work. Her brand identity is mostly identifiable by her post production work and capturing the special moments.

How would you compare/contrast the style of shooting for each photographer?
 Laura Sonnenberg is a very candid photographer that captures emotion while Rachel LeCrone is also candid, she captures the moment more. Both photographers are very good at giving a sense of how the wedding felt and the happiness that was very apparent without being intrusive.

Based on what they say about their work and the look of it, as well as the prices they charge, what kind of couple do you think each photographer is targeting?
I think they are targeting middle/higher class couples. Unless the photographers are just really good at making everything look expensive. The locations and attire of the wedding attendees look fancy and expensive. I could not find the prices listed for either of these photographers but just based on how the images look I came to this conclusion. 


Wednesday, August 22, 2012

Blog #3 Iconic

Blog #3 Iconic Image
Dorthea Lange's Migrant Mother

Destitute pea pickers in California. Mother of seven children. Age thirty-two. Nipomo, California
There are no known restrictions on the use of Lange's "Migrant Mother" images. A rights statement for the Farm Security Administration/Office of War Information black-and-white negatives is available online at: http://www.loc.gov/rr/print/res/071_fsab.html.

What year was it taken?
1936

What event was it depicting?
 The Great Depression.

How did people react to its publication?
 This photo symbolized the Great Depression in America and was taken for the Farm security administration collection.

How does the photographer feel about capturing the image/ sharing it with the public?
 Dorthea Lange mentioned that the mother may have realized the photo might help her, so she allowed her picture to be taken, which in turn helped the photographer so it was a sense of equality.

Why do you think this image has become iconic? Because it shows a historic period of American culture which refelcts a sense of strong motherhood & survival.

Blog #1

Blog #1 Mary Ellen Mark





How did this photographer get started in his or her career?
After obtaining her M.A. in photojournalism from University of Pennsylvania in 1964, Mary Ellen Mark was awarded a grant to photograph in Turkey in 1965-1966.

What is this photographer most well known for?
She is most known for photographing unknown people and capturing humanism, such as mental patients in 'Ward 81' or homeless teenagers in 'Streetwise'.

Describe the photographer's primary subject matter.
Her primary subject matter are people who are not in mainstream society, like prostitutes or circus people. She tends to tell a story of reality with her subject matter, perhaps a reality most of us do not see on a regukar basis.

What about his or her work do you find interesting?

I like how her photos are in black & white, because of the subject matter, it makes you focus on what the photo is not on color or other visually pleasing factors.

How would you describe his or her visual style?
I would describe her visual style as raw or realism especially based on the subjects. Mainly documentary type of photography.

Ex 2: Sense of Place, Michael


Robert Adams

                                                       1 moma.org

How would you describe the sense of place conveyed in the photograph?

I convey a sense of place by my emotional response to this photo. When I was younger, my family and I drove cross country on a move from Idaho to Florida. Some days we would drive late into the night, and I remember the car headlights on the road and the mountains all around. The image makes you feel like it was captured out int he middle of nowhere; on that lonely road through the country.



What choices did the photographer make about color, composition, and quality of light in order to create a sense of place?

I noticed that Robert Adams photographed mostly in black and white, but I love black and white photography. I like how the light in this photo bounces off the asphalt and makes your eyes gander off into the background.


Is human presence evident in the photograph? How does the presence or absence of people impact your impression of the place?

There isn’t human presence in this photography; however, you know that there is a human involved in the photograph, and I don’t mean the photographer. It depends one one’s interpretation of this photo, but I imagine that the light in this photo is coming from a vehicle. The presence of a human would come from the thought of that vehicle being there. 




Art Wolfe



                                             2 wgte.org



How would you describe the sense of place conveyed in the photograph?

In this photo, I found a sense of place because of the sunset/sunrise and their altitude. One might think there could be an attraction behind the man next to the tripod as well, because it looks like an interview or a news report.


What choices did the photographer make about color, composition, and quality of light in order to create a sense of place?

I enjoy back lit subjects, and that’s one of the reasons I selected this photo. The light from the sun is radiating warm colors throughout the sky and the terrain. The Subjects in the photo are in the middle of the photograph and are darkened due to the backlighting.


Is human presence evident in the photograph? How does the presence or absence of people impact your impression of the place?

There is human presence in this photograph and they are the subjects of this photo. The backlighting makes the figures in this photograph dark and your eyes gaze off into the background or the source of light in the photo. 

Eliot Porter



                                                      3 getty.edu


How would you describe the sense of place conveyed in the photograph?

I feel a sense of place by how Eliot Porter uses the rule of thirds in this photograph. There are a few trees in the foreground that make you feel as if you are standing in front of them. The farther you look into the image you can notice different types of trees in the middle and background. When I first noticed the background I thought it was fog, but then I noticed that it was water. You can also notice it’s fall/autumn because of the warmer colors in the tree leaves.


What choices did the photographer make about color, composition, and quality of light in order to create a sense of place? I like how Porter captured the bright orange of the tree leaves which make your eyes move to the top of the image, and then you start to notice the blue water and the forest floor. The lower half of the image is darker, but it gives you the feel of being in the image and under the canopy of trees.


Is human presence evident in the photograph? How does the presence or absence of people impact your impression of the place?

This image lacks human presence, but there isn’t any need for it. The objects in this photograph are appropriately aligned and it makes your eyes wander.

Tuesday, August 21, 2012

In-class Exercise: Develop Module ~ 12 Versions of One Photo


Lightroom Develop Module
In Class Exercise: 12 versions of one photo
Adopted from an exercise by Julie Verdini

After learning some basic adjustments in Lightroom’s Develop Module, use the following exercise to experiment with some of the tools in the module.


Import a photo of your choosing (or use an existing one in your catalog).  You’ll create a virtual copy for each of the exercises below from the same ORIGINAL photo.

You can do this by either right-clicking and choosing “create virtual copy” OR from the Menu Bar choose Photo Create Virtual Copy.

Remember: to undo an adjustment, hold down the Command key and the letter Z at the same time.  You can also use the History panel on the lower right to step back through adjustments you’ve made.

1) Using a Lightroom Preset
On the left panel there is a list of presets.  Try them all to see their effects (remember that Lightroom will "layer" these, building one on top of the next. Be sure to click "un-do" or "Command Z" to see the full effects of each).

After playing with presets, choose a pre-set that you like, but feel goes a little over the edge on a particular adjustment. Find that adjustment on the right hand panel and neutralize it by double clicking the slider point. Continue to make adjustments until it looks AMAZING. Then save these settings by creating your own custom pre-set by choosing the plus symbol. Name it and save.

2) Manually Adjusting Color Temperature and Tint
Create another virtual copy. Using the blue/yellow and green/magenta sliders, manually create a white balance effect of your choosing.

3) Manipulating Exposure
Create another virtual copy and using the Exposure, Contrast, Highlights, Shadows, Whites and Black Sliders, create an exposure that is very different than your original.


4)Adjusting Presence:
Create another virtual copy. Move the clarity slider only and create an image that has a different amount of clarity than the original. Note what happens when you push the slider to extremes.



5) Color Vibrance and Saturation
Create another virtual copy. Now Using the Vibrance and Saturation sliders change the presence of your image in relation to color. See if you can notice the difference between the two. How do they operate together and isolated? Try both. Then create an image that differs greatly from the original in terms of color presence.

6) Using the Tone Curve, auto adjustments :
This tool is helpful if you want to isolate adjustments relating to highlights, lights, darks or shadows. Create a virtual Copy. At the bottom of the Tone Curve menu they’ll be a pull down menu opposite “Point Curve” Select Medium Contrast and then Strong Contrast and note the affect it makes to the shape of
the line on the graph.

7) Using the Tone Curve,  s-Curve for increased contrast:
Create another virtual copy. Pull on the line itself to create an “S curve” Note how this affects the positioning of the sliders. Now continue to “pull” the line until you get a tone that you want to keep.

8) Hue/ Saturation/ Luminance, Pt 1:
Create another virtual copy. Click on Hue and move all the sliders noting how it can isolate the hue of particular colors. Pick a dominant color in your image and drastically change its hue.

9) Hue/ Saturation/ Luminance, Pt 2:
 Create another virtual copy. Repeat the same exercise but in the Saturation panel. Desaturate a dominant color in your image.

10) Hue/ Saturation/ Luminance, Pt 2:
Create another virtual copy. Now click on Luminance and alter the luminance levels of at least three colors.

11) Black-and-White
Create another virtual copy. Now click on "BLACK and WHITE" to convert your image to grayscale. Use the “b&w mix” and note how adjusting color sliders affects even “colorless” images”

12) Photographer’s Choice
Experiment with one of the adjustments we haven’t used yet to test its effects.

Export your virtual copies with our normal export settings to share results with the class.  Rename yourlastname_DevelopModule_01, 02, etc.  Keep images in the order listed above so we know which adjustments were applied to which version.

Exercise #4 Branding



I chose wedding photographers because the article we read said that wedding photographers are the best at branding themselves. This assignment was on branding as a photographer so I thought it would be beneficial as a photographer to choose the example that I could learn the most from.
Michelle Stevens: http://artistique.com/

How does each photographer create a distinctive brand identity?

By the look of the website this photographer is professional and sleek. It also feels expensive.

How would you compare/contrast the style of shooting for each photographer?

This photographer’s style is unique from the others I looked at because she is very versatile not only does she have photos that look classic but she also has photos that look extremely modern but still classy as well as having others that look like they are fashion photography and not even a “real” wedding photo at all.

Based on what they say about their work and the look of it, as well as the prices they charge, what kind of couple do you think each photographer is targeting?

The “About” the photographer is well written and shows that this photographer is knowledgeable, educated, professional as well as has a lot of awards for her photos

Her photos are amazing and reflect the information she has stated and shows the obvious influence from many different genres

I believe that this photographer is targeting wealthy people that don’t have a real price range for a wedding.


How does each photographer create a distinctive brand identity?

This photographer has a style that is very down to earth and classic.

How would you compare/contrast the style of shooting for each photographer?

He uses black and white and has a very “real life” feeling to his photos. His photos seem realistic.

Based on what they say about their work and the look of it, as well as the prices they charge, what kind of couple do you think each photographer is targeting?

I believe that this photographer is targeting regular couples with regular families. I believe he is targeting the middle class.

Monday, August 20, 2012

Blog Post #4: Branding

Both commercial and consumer photographers need to be concerned with branding and brand identity, for different reasons.   
Read the following post on brand identity to get an overview of what it may mean to photographers:
Richard Wong on Developing Your Brand Identity 
 
Commercial photographers, whose main aim is to create images that sell a product, need to brand themselves in order to be hired by ad agencies and designers who want their particular "look" to be associated with a product or design.  When creating an ad or a fashion image, a commercial photographer also needs to understand the brand identity of the product (for instance: Nike = hardcore athleticism = just do it).
Consumer photographers, who work directly for clients to produce images for personal use (weddings, portraits, etc.), create a brand identity that will appeal to the particular demographic they want to hire them (for instance: wealthy young couples who think they're hip and cutting-edge). 
Choose one of the following exercises to blog about branding and photography:
Option One:  Local Wedding Photographers
Choose two local wedding photographers from the following link to compare/contrast their brand identity:
http://www.myportlandwedding.com/photographers

Start by naming the photographers and linking to their websites. Examine their websites for their stylistic approach, the wedding packages they offer, and how they present themselves to clients on their "about" pages.  Then, answer the following questions:

How does each photographer create a distinctive brand identity?

How would you compare/contrast the style of shooting for each photographer?

Based on what they say about their work and the look of it, as well as the prices they charge, what kind of couple do you think each photographer is targeting?




Option Two:  
Choose one of the following fashion photographers and examine his or her brand identity in depth:

Javier Vallhonrat -
Ruven Afandor -
Glen Luchford -
Steven Meisel -
Solve Sundsbo -
Vincent Peters -
Enrique Badulescu -
Ellen Von Unwerth -
Peter Lindbergh -
Steven Klein -
David LaChapelle -
Donald McPherson -
Nigel Barker -
Albert Watson -
Bruce Weber -
Helmut Newton -
Tim Wal

Post 3 photos from the photographer that you think express his or her particular sensibility or approach to fashion.

How would you describe the "look" he or she is trying to market?

What campaigns has the photographer worked on for which he/she may have been hired because of their brand identity?

Why do you think the photographer's personal brand identity may have been a good fit for the brand of the product being advertised?



Friday, August 17, 2012

Extra Credit Shooting Project: Wordplay


PHD101 - Introduction to Photography & Design
Extra Credit Shooting Project: Wordplay
Points: up to 20

To earn extra credit, you must have submitted all required shooting projects on time.


Pick a “word of the day” from the New York Times Learning Network blog:


Once you’ve got your word, your challenge is to represent visually the word that you have chosen.

Audience - Commercial/Advertising
This project is a lesson similar to how commercial advertising photographers must work. Creative and Art Directors have an idea and it’s the job of the photographer to illustrate in photos, that idea.  Advertising uses adjectives and emotions to convey associations with a “brand”.  The process of creating an ad from beginning to end is very thought out and deliberate - a more conceptual approach.

Research
Think about your 'word' and brainstorm ideas. You may want to do an inspiration sheet - pull images from other photographers that have a similar feel to your word and then try to imitate the photo.  Once you hit on something that seems right, begin to organize your photo shoot.  You may want to do a quick practice shoot and have friends or family guess your word. If they don’t, go back to the drawing board. 

It may help to think of this as an assignment for one of your favorite products and the client wants you to create an image with their product with the emotion of the word you chose. Feel free to make this feel like an advertisement.

Due:  Week 8, by the end of class.  You can use the Develop Module in Lightroom during the demo in class to manipulate your image, and we will crit any images submitted at the beginning of class Week 9.

Submit:  Your strongest image conveying your chosen word (resizing, etc. should be the same as all other projects) & a contact sheet with all of the images you shot for the project.


Thursday, August 16, 2012

Exersize#3 Iconic image



1) What year was it taken?

April 1980

2) What event was it depicting?

The 1980 Famine of Uganda

3) How did people react to its publication?

The publication brought attention to the nomadic people of Karamojong as well as the hardships they face due to border security, internal raids and the influx of guns and weapons which enable them to lead raids.

4) How does the photographer feel about capturing the image/ sharing it with the public?

Mike Wells was awarded the World Press Photo Award for this photo and admitted that he was ashamed. He didn’t enter the competition himself and was against winning prizes with pictures of people starving to death.

5) Why do you think this image has become iconic?

I believe that this picture was and is iconic because of the visual contrast in color and size of the subjects as well as the story behind the picture. The child’s hand is so small and seems as if it will shatter at the lightest bump. I agree with wells on the subject that it is a travesty to will prizes taking photos of people that are starving to death. If anything the prize should be donated to the people that are in pain and distress everyday not the person that captured that pain in a photo.

List the URLs of your sources at the end of your post.

http://iconicphotos.wordpress.com/2009/11/
http://iconicimages.blogspot.com/2010/10/famine-in-karamoja-uganda-uganda.html

Wednesday, August 15, 2012

Juliana Moseley Post 3

                                                    The Falling Man By: Richard Drew
 What year was it taken?
This picture was taken September 11 2001 at 9:41am

What event was it depicting?
The twin towers collapsed due to two planes crashing into them. One of the most legendary things that happened in the United States

How did people react to its publication?
People didn't know how to react, there where so many mixed emotions to whether the gentlemen knew the planes where coming. Research says that he jumped to try and avoid the smoke and fire that was pouring in. It made them feel  uncomfortable because it was such a quiet image.

How does the photographer feel about capturing the image/ sharing it with the public?
He said it was uncomfortable without his camera, but with his camera its his job to record history. He said there was no violence or blood. It was just a quiet image which really made viewers feel uncomfortable. Its makes them able to feel almost anything.

Why do you think this image has become iconic?
Because it was one of the most historical moments that happened when i was born and had one of the most negative yet strong impacts on my youth.




Tuesday, August 14, 2012

Exercise #3 Iconic Photo

Alfred Eisenstaedt


What year was it taken?
This was taken in 1945

What event was it depicting?
In the midst of the excited crowd jubiliantly celebrating Victory Japan Day, Alfred Eisenstaedt watched a young sailor kiss every woman in sight from grandmothers to secretaries. 

How did people react to its publication?
People responded very postively to this photo because it marked the Victory over Japan Day.

How does the photographer feel about capturing the image/ sharing it with the public?
“I was walking through the crowds on V-J Day, looking for pictures. I noticed a sailor coming my way. He was grabbing every female he could find and kissing them all – young girls and old ladies alike… The sailor came along, grabbed the nurse, and bent down to kiss her. Now if this girl hadn’t been a nurse, if she’d been dressed in dark clothes, I wouldn’t have had a picture. People tell me that when I’m in heaven, they will remember this picture." -Alfred Eisenstaedt

Why do you think this image has become iconic?
It is iconic because it is a symbol of why love triumphs war and how America found relief in the silence of guns.

http://www.vpphotogallery.com/photog_eisen_vjday.htm
http://www.joyfulexpressions-photography-art.com/AlfredEisenstaedt.html
http://www.gallerym.com/work.cfm?ID=69

Monday, August 13, 2012

Juliana Moseley Blog #2


Editorial Photography: Sam Abell

How would you describe the sense of place conveyed in the photography? 
I feel the place was conveyed in a peaceful calm soft way. It made me feel peaceful. the texture and the way the picture leads the eye. It leaves you somewhat mesmerized.


 What choices did the photographer make about color, composition, and quality of light in order to create a sense of place? 
The colors are soft and warm. the shadowing really gives it a deep value. I loved how it looked somewhat abstract, it makes me want to see more. the light was coming from the left right hand corner. make the cast shadow create layers.

Is human presence evident in the photograph? No. How does the presence or absence of people impact your impression of the place? 
if people where to be on this then it would make it not flow as much. The landscape is so peaceful and soft itself, I don't think it needs humans in it. Its a strong piece itself






 Fine Art Photographer: Sally Mann






How would you describe the sense of place conveyed in the photography? 
The tree is right in the middle giving it a more powerful meaning. The depth of field gave this picture a dramatic feel. It leaves no wondering for the eye. The branches and leaves frame the picture nicely. 


 What choices did the photographer make about color, composition, and quality of light in order to create a sense of place? She used black and white which was a good choice because it gave it a more creepy feel. this picture has many layers. The lighting is very dark which works well for the photograph.


 Is human presence evident in the photograph? No. How does the presence or absence of people impact your impression of the place? 
 its kind of a haunting image. Having no human makes it look alone but strong. It makes it feel eerie and has an emotion behind it 



 Classic Landscape: Frans Lanting


How would you describe the sense of place conveyed in the photography? 
Its kind of a dreamy scene. Almost fantasy looking. 




What choices did the photographer make about color, composition, and quality of light in order to create a sense of place?
 the colors are out of this world which made it look unreal.





Is human presence evident in the photograph? No. How does the presence or absence of people impact your impression of the place? 
As you can see I think that people being in these scenes would ruin this image. I like how strong this image is without a person.


 

exersize 3 iconic image girl with green eyes justina cartwright

The girl with green eyes is a iconic photo for middle eastern people nation geographic new her as the “Afghan girl, Her real name took 17 years to find out it is Alam Bibi
The photgrapher (Steve McCurry) was at a refuge camp in pakastain and he was taken peoples photos and he came to her and asked, he took it. He had no idea what a emotional photo he took till he got back.

after the fallow up on of the kids translated what the grandfather said the photo was.
“Grandpa says her picture had been an inspiration to many Afghani’s that came to America and he was touched that you (me) knew about this girl.”
FAllow up Photo 20 years later

Wednesday, August 8, 2012

Exercie #2: Sense of Place (Compare/Contrast) by Emily Heath




Justine Kurland
http://www.google.com/imgres?q=justine+kurland&num=10&um=1&hl=en&client=safari&rls=en&biw=1226&bih=1233&tbs=isz:lt,islt:svga&tbm=isch&imgrefurl=http://nymag.com/fashion/features/45297/&tbnid=c7r-to-mH40cJM&docid=HNNHBpaqAnDODM&ved=0CEwQhRYoAg&ei=PoEiUKO3GOPw6AGa5YHgCg&dur=1470

How would you describe the sense of place conveyed in the photograph?
It has a whimsical forest feel. There are people in the foreground, middle ground, and background which adds depth to the rather short depth of field space.
What choices did the photographer make about color, composition, and quality of light in order to create a sense of place?
It looks as though it was shot on an overcast day, or early in the morning. the colors are very neutral and natural. The position of each model looks like is was purposefully done.
Is human presence evident in the photograph? How does the presence or absence of people impact your impression of the place? 
Human presence is evident, it adds life and interest to what would have been a rather dull scene.

Art Wolfe
http://www.google.com/imgres?q=art+wolfe&start=111&num=10&um=1&hl=en&client=safari&rls=en&biw=1226&bih=1233&addh=36&tbs=isz:lt,islt:svga&tbm=isch&tbnid=azS3CthdRCNBQM:&imgrefurl=http://www.ormsconnect.co.za/2012/03/art-wolfe-workshops-in-south-africa/&docid=Px5-quOYYb7CkM&imgurl=http://www.ormsconnect.co.za/wp-content/uploads/2012/03/Art-Wolfe-06.jpg&w=1200&h=795&ei=SYAiUNbzJ46K6QGErYCoDw&zoom=1&iact=rc&dur=258&sig=110026544864605622573&page=4&tbnh=152&tbnw=203&ndsp=36&ved=1t:429,r:34,s:111,i:248&tx=138&ty=102

How would you describe the sense of place conveyed in the photograph?
A very large depth of field in conveyed, somewhere in the arctic. 
What choices did the photographer make about color, composition, and quality of light in order to create a sense of place?
A strong line in the composition of the penguins guides your eye through the photo. The quality of light is very unique, it looks as though it is midday on the bottom half but on the top it is very dark, I think that makes this photo more impacting.  The colors are hues of blues and black and white. A sense of a very arctic place.Is human presence evident in the photograph? How does the presence or absence of people impact your impression of the place? 
There is no evidence of human presence in this photograph making the image feel like a really natural scene of the habitat of penguins.
Steve McCurry
http://www.google.com/imgres?q=Steve+McCurry&start=219&um=1&hl=en&client=safari&rls=en&biw=1226&bih=1233&addh=36&tbs=isz:lt,islt:svga&tbm=isch&tbnid=q3ckdeEvdyEYDM:&imgrefurl=http://www.emptykingdom.com/main/featured/steve-mccurry/&docid=n4Am3KssuuGpkM&imgurl=http://www.emptykingdom.com/main/wp-content/uploads/2010/05/Picture-66.png&w=1030&h=686&ei=nX8iUPrFCYOj6wHRvIDYCw&zoom=1&iact=rc&dur=311&sig=110026544864605622573&page=6&tbnh=157&tbnw=209&ndsp=38&ved=1t:429,r:2,s:219,i:152&tx=130&ty=107

How would you describe the sense of place conveyed in the photograph?
The sense of place conveyed in this picture is the home of where these kids live. What a day in the life is like for them.
What choices did the photographer make about color, composition, and quality of light in order to create a sense of place?
The color is a huge part of the composition for this image. The quality of light looks like it was an overcast day because the light looks diffuse. The placement of each child also gives depth to the image, having them in the foreground, middle ground and background. 
Is human presence evident in the photograph? How does the presence or absence of people impact your impression of the place? 
Yes human presence is evident, it gives a sense of their home. These kids live here or near here, it is very truthful.

Tuesday, August 7, 2012

Blog post #2


Editorial Photographer: Melissa Farlow / National Geographic Stock

How would you describe the sense of place conveyed in the photograph? In this photo I believe that Melissa Farlow captured a very unique aspect in nature because of the graffiti on the tree and the warm lighting hitting the trunk on the tree and the cool shadows in the middle with a flicker of the deep green background.

What choices did the photographer make about color, composition, and quality of light in order to create a sense of place? The colors in this photo are both warm and cool and so is the lighting. I loved the mix of both because it reminds me of a warm summer day but maybe later in the evening. The composition Is Asymmetrical with the location of the tree and the dark shadows located more on one side than the other.

Is human presence evident in the photograph? No. How does the presence or absence of people impact your impression of the place? The absence of a person in this picture gives it a feeling of solitude and quietness. Not because it is empty but because it feels like I’m there by myself. The photographer made me feel like I was standing and looking at what she was looking at in this photo.






Before answering the questions for this photographer I would like to express that Sally Mann is by far my favorite photographer so I couldn’t just pick one of her photos

How would you describe the sense of place conveyed in the photograph? All I can think of is that it is out of this world. I love how her photos change the subject matter. It looks like a real place but at the same time it looks like something out of a bad dream. It’s haunting.

What choices did the photographer make about color, composition, and quality of light in order to create a sense of place? This photo is black and white this choice made the mixed with the lighting that is maybe overcast of natural light was a very good combination because it gives this photo a special character that may not have looked the same in a color photo with different lighting. The composition leads to one side but doesn’t make the photo appear off balance. I believe that it may be somewhat framed as well due to the top corner edges being black.

Is human presence evident in the photograph? No. How does the presence or absence of people impact your impression of the place? This photo has no people but at the same time it feels like there are people around maybe under the fog.



Classic Landscape photographer: Michael Lavine http://www.michaellavine.com/blog/?s=&x=7&y=12

How would you describe the sense of place conveyed in the photograph? It reminds me of the past. A different time but on another note it still seems modern.

What choices did the photographer make about color, composition, and quality of light in order to create a sense of place? The colors are even and flat but the subject matter won’t let you stop looking. It is very eye catching in a subtle way. The composition is very symmetrical and makes you focus on the subject matter of the girl because it is the only thing in the frame. The lighting is very even and flat just like the colors.

Is human presence evident in the photograph? Yes. How does the presence or absence of people impact your impression of the place? Without the person in the picture there wouldn’t be anything in the picture. Most of this photographers photos have people as a focusing point and the background as secondary subject matter.